|"Waiting for You" - photograph by Terry Rowe|
Photography, since it's inception as an art form (and some may still argue it's not art), has had controversies.
Some people will argue that photographs should be pure, untouched from capture to print. Ansel Adams is often touted as a prime example of a "pure" photographer--and yet, he spent hours in the darkroom, adding and subtracting light and dark, processing his photographs to his vision.
The very act of photographing anything changes it from the "real."
There are some people who claim that black and white photography is just a "trick," and that all photographs should be in color.
High dynamic range, HDR, has alternately been praised and blasted. HDR images can more accurately represent the range of colors and light in an image, but it can also be intense. The intensity of HDR images is what some people love and what others say is "unreal."
Adding textures to images in post-processing is another technique being embraced by photographers, many like the added dimensions; others decry varied texture processing techniques as a "fad" or a "trick." Sound familiar?
Many photographers are artists - taking the photograph, capturing the image, has become only half of the process of creating art. The second half of the art making is in the processing of the photograph--this can take hours of work, decisions, trial and error. The ultimate goal is a full expression of the artistic vision that began with the initial photographic image.
Maybe photographer-artists need a new name, something akin to painter or potter or sculptor. For now, I am an artist who uses photography and digital processing to create my art.
The picture above, "Waiting for You," is black and white, with texture added.